Tonotech was inspired by the correlations between textile languages, computing and musical systems. In the 18th century, the punch hole cards were used by musical organs and jacquard weaving looms which inspired the basis of our modern computing systems. This electro mechanical installation reads a score of punched cards mixing acoustic sounds and patterns. People can remix this score making audible the rhythm of the patterns throughout the elements of the architecture of the space.
in collaboration with Claire Williams and Alexandre Liziard
New version of Tonotech for the Signe